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Latest LoAR Info Submissions to Laurel from this Meeting Returns from this Meeting |
Alizan De la Fontaine, Vesper; Edith of Swanesdale, Matins; Krysta of Starfall, PaL; Gwenhwyfaer ferch Gwilym, Baldric; Hirsch von Henford, Golem; Astrið of Swansvale, Green Banner; Frederick of Holland, PaL; Eilis o'Boirne, Green Crown; Aasa Thorvaldsdottir, PaL; Kean de Lacy, Bratchet; Rew Payne, Black Mark.
In remote attendance: Ommadan inigena Ru, Cornet.
COLLEGE OF HERALDS MEETINGSHeralds' Meetings for 2020: January 5 (at Twelfth Night), March 8, May 17, July 26 (THIS IS A CHANGE), September 20, and November 15. Meetings usually begin at 11:00 AM and will be held at Green Crown's home unless otherwise noted.
The DEADLINES for submission forms and documentation are: 2019: December 18, 2019 for the January meeting, February 26, May 6, July 15 (THIS IS A CHANGE), September 9, and November 4. Submission forms must be complete and received either via EMAIL or hardcopy by the deadline date at midnight to be considered at the next meeting (which is about 11 days later, except December due to holidays and the roadshow meeting prep time needed). If the forms are EMAILED, then payment must arrive by the meeting day. WALK-IN submissions will only be considered if there is time, but in most cases will be delayed until the next meeting so that each submission can be reviewed fully.
REPORTS
Vesper (Alizan): Heraldry is happening. She is currently looking for a new location for meetings. One location has been offered, still looking for any other choices. She is still seeking an officer to hold the Town Cry office.
She is working to get a few completed scrolls that were never claimed to their owners.
Many thanks to Krysta of Starfall for her long-serving as host for the meetings.
Seawolf (Domamir): Investiture occured, all went smoothly. Court reports were submitted and confirmed. Some parts of the investiture ceremony may be reviewed for update.
Sable Swan (Moira): No report received.
Stellanordica (Bianca): No report received.
Exchequer (Domamir): The College remains solvent. He has sent an e-mail to the SCA College of Arms Exchequer to find out if we need to send a payment in, but has not heard back as of yet. Q3 reports are due at the end of this month and he expects to have them done sometime this next week.
Matins (Edith): Deputy (Hannah): Submissions continue to come in and get processed. She is looking for a deputy/replacement, if anyone is interested in training for this position.
Clerk of the College: This position is being closed for now, as the services it was instituted to cover are no longer needed or are now handled by other offices.
Many thanks to Krysta of Starfall for her service in this role.
Green Crown (Eilis): Court happened, awards were given, court reports are processing in a timely manner. The Order of the Boar is coming back at Twelfth Night. Their Majesties are looking into an award for Youth Combat.
Baldric (Gwenhwyfaer): May 2020 Arts Faire - Sat. May 9 - Track of Heraldic Courses - please coordinate with Gwenhwyfaer if you would like to teach something. Note this is an outdoor/camping/weekend-long event. Green Banner will attend and have Table open for at least a portion of the day.
November 2020 Collegium - Sat. Nov. 14 - Track of Heraldic Courses - please coordinate with Gwenhwyfaer if you would like to teach something. Note this is an indoor, one-day event.
Brachet (Kean), Leveret (Ræv): He's been doing commenting and consulting. Senior Laurel Staff has offered compliments on his commentary.
Green Cloak (Ari Ella): Crown happened, nothing exploded.
Green Trumpet (vacant): Deputy Support: Juliana of Sunset Shire. New Senior Staff position.
This position will oversee Town Cry (formerly called Duty Shout) and Heralds Point (information). If interested in this position, please contact Vesper.
The duties of this position include: for Kingdom events: staff and manage information point out of Heralds Point, staff and manage town cries. Store, transport, and arrange set-up & pack-down of Heralds Point to all Kingdom events, specifically: Crown Tourneys (Spring, June, Fall), Beltane, and Purgatorio Coronations in coordination with Green Cloak. Additionally, for West v. An-Tir War every other year when the Host of the war is The West.
Green Banner (Astrið/Aasa): Consultation went to the various Kingdom and Principality tourneys in the past two months, and did quite a bit of business.
As of today, Astrið has passed this Office to Aasa Thorvaldsdottir.
Many thanks to Astrið for her many, many years of service in the Office.
Congratulations to Aasa on her new position.
Golem (Hirsch): He has been super busy. Including going through the History site's Who's Who and hunting down every piece of armory that has been registered. He is also comparing this to the LoARs and OandA. Items are getting fixed across all the platforms, including the artwork for armory.
Court reports are coming in in a timely fashion, and Royalty is being good approving.
The Ceremony Book had a complete overhaul recently. The fonts are changed to make it easier to tell Royal words vs. herald words, and some other similar changes. Several phrases are now less gender-specific.
Discussion around Silent Heraldry and bringing it to the West.
ANNOUNCEMENTS / Other Business
GENERAL ANNOUNCEMENTSFacebook Page: The West Kingdom Heralds' have their own page on Facebook, announcements, help with consultation, and more are often done there:
https://www.facebook.com/groups/302970543102065/
MAILING LIST: The West Kingdom College of Heralds has a mailing list for internal communication. NOTE that we are only using this for announcements and we may eventually phase it out. Any herald is welcome to join by request. To join the list, please subscribe at wkheralds-subscribe@yahoogroups.com.
There are also individual mailing lists on Yahoo for the Principalities, but the traffic has gone to announcements only, and again these may be phased out in preference to the Facebook page noted above. Details can be found at the bottom of this page: I Need to Contact a Kingdom or Principality Herald
ELECTRONIC RESOURCES: Many interesting heraldic links can be found through the SCA Heraldry web page at http://www.sca.org/heraldry, including the Laurel home page, the on-line Armorial and Ordinary (with search capabilities) and The Academy of St. Gabriel (an onomastic and heraldic consultation service). The West Kingdom Heraldry site and the West Kingdom Awards List can be accessed through the West Kingdom site, http://www.westkingdom.org. Heraldic queries may also be addressed to Vesper at herald@westkingdom.org -- answers may take a few days.
BRACHET MEETINGS
Contact brachet@heralds.westkingdom.org for external commenting participation. A central Cynagua external commenting meeting may begin soon, so watch this space!
EXCERPTS FROM THE LOARS
The cover letters, acceptances and returns for the past can be found at http://heraldry.sca.org/loar/. If you are interested in responding to some of the calls for commentary put out by the Laurel Sovereign of Arms, please be sure to visit the site.July 2019 LoAR (printed October 7, 2019) (West - No LOI)
Cover Letter
From Wreath: Tabard Design and the Use of Trumpets
There has been some discussion lately on whether and how one may display the badge for the College of Arms of the Society for Creative Anachronism: "Vert, two straight trumpets in saltire, bells in chief, Or."
Like any officer's badge, use of the herald's badge as a personal accessory such as a medallion or baldric marks the bearer as an officer of the Society for Creative Anachronism, and specifically a representative of the College of Arms. Determination for who may wear the badge is delegated by Laurel to the Principal Heralds of each kingdom, but if a person is a branch herald, a member of the kingdom heraldic staff, or is acting by appointment of any of the people named above, they may wear the trumpets as an indicator of their role and authority as a herald. Appropriate situations for wearing the herald's badge include duty shifts as field or cry heralds, consultation tables, and official correspondence.
Unlike the anachronistic use of officer's badges, heralds' tabards are a historical garment with a long and proud tradition. When wearing a tabard, a herald is not a representative of the College of Arms, but is instead an officer of the person whose arms appear on the tabard. As such, the tabard should only bear the arms of the noble for whom the herald is speaking, and should only be used in contexts when the herald speaks for their Noble (e.g., court, important ceremonial moments such as the final round of Crown Tournament, etc.) The crossed trumpets badge should not appear on any herald's tabard, nor should any badge; tabards should bear one set of arms alone, and they should be consistent on the front, back, and sides of the tabard.
For more information on the proper design and construction of a herald's tabard, please see the class handout made by Bruce Batonvert and Magistra Astra Christiana Benedict: http://mistholme.com/miscellany/heraldic-tabard-construction-2014/
From Wreath: No, You Can't Have A Badge For Your Particular Heraldic Office
This month, we received a submission for a badge for the office of silent herald for a principality. The badge had previously been returned administratively in November 2018, due to the long-standing prohibition on registration for subsidiary officer positions under the auspices of a Society-level officer by anyone except said Society-level officer. The badge was resubmitted with no statement addressing the previous return, and it's clear that there's still some confusion on the issue.
To reiterate: Badges already exist for both the office of Herald and the office of Silent Herald. With the exception of a tinctureless seal for the principal herald of a kingdom, no territory may register a badge for a heraldic office. Existing badges for subsidiary heraldic offices, especially ones registered without association after the ban was put in place, should be either repurposed for other use by the territory or quietly released.
From Wreath: Changes to Official Emblazons
This month we considered a device change to replace a device that had been redrawn by kingdom without submitter approval prior to its registration. The redrawn device was identical in blazon to what had been originally submitted, but with a very different style of charge depicted, and the submitter did not care for it. Commenters asked if a device change could be used to modify an emblazon when there is no blazonable difference between the two.
Beyond correcting an egregious error, there are several reasons one might wish to change their official emblazon. Perhaps the artwork was done at an event with few heraldic artists, and was identifiable but not particularly artistic. Perhaps the artwork is being used by scribes who are using the official record of the emblazon to depict the submitter's arms or badge on a scroll. Perhaps the submitter has taken an artist's note from Wreath to heart and wishes to have a more correct form of their emblazon on file. Perhaps the submitter has an outdated depiction of flames proper (i.e. gules fimbriated Or or Or fimbriated gules) and wishes to have a more period-appropriate depiction on their official record.
For whatever reason (beyond a clerical error by the College of Arms), a submitter may submit a new emblazon as a device or badge change, with all of the requisite paperwork and submission fees expected of such an action. Please note that if the blazons are identical, only one registration may be held; one may not have multiple active registrations of the same armory.
From Wreath: Unity of Orientation and Posture
Two years ago, I stood in front of the College at KWHSS and promised that within a few months I would have a definitive ruling on Unity of Posture and Orientation that would be comprehensive, easy to understand, and more permissive than previous rulings had been. I wrote my draft that month. And then a submission came through that required me to revisit the draft. This continued pretty much every month since that fateful Road Show. So I thank you all for your patience, and want to assure you that I've not been negligent in this goal.
SENA A3D2c reads, in part: "c. Unity of Posture and Orientation: The charges within a charge group should be in either identical postures/orientations or an arrangement that includes posture/orientation (in cross, combatant, or in pall points outward, for example). A charge group in which postures for different charges must be blazoned individually will not be allowed without period examples of that combination of postures."
While the language seems simple, it makes a lot of assumptions about which types of charges will be in the charge group. The examples given in the rule have three lions in different postures, three pheons in different orientations, and a note about crescents, increscents, decrescents, and crescents pendant. The rule does not address how to compare the posture and/or orientation of dissimilar charges within the same charge group. So the question arises: What should be compared? My predecessors and I each struggled with the nuances of this question, but the consistent principle of all of our rulings has been the same:
If the charges in the charge group can be in the same posture, orientation, or arrangement that includes posture or orientation, they must all be in the same posture, orientation, or arrangement.
There are some basic categories of charge that have comparable postures and orientations. They are:
Animate Charges (Posture)
Inanimate Charges
Generally, charges in each of these categories are not comparable. Serpents cannot be rampant because they haven't the requisite limbs, while bears cannot be nowed because they are not long or flexible enough, so a bear rampant and a serpent nowed may be in the same charge group despite requiring different terms to describe their relative postures. A sun is a radially symmetrical charge that has no orientable top or bottom, while a spear is a long charge that has a definitive top, bottom, and angular orientation. Thus, a spear bendwise and a sun may be in the same charge group despite requiring a specified orientation for only one of the charges.
Within each category, charges are comparable, and so must be in comparable postures or orientations. For purposes of this rule, defaults are disregarded; while the default postures of a lamb and lion are passant and rampant respectively, if they appear in the same charge group they must be in the same posture. For orientation, this is a bit more permissive; the default orientation of a sword is point up while the default orientation of an arrow is point down, but the assumptions of top and bottom are a default-based concept; as long as they are both in the same orientation (palewise, bendwise, fesswise, etc.) or in an arrangement that involves their orientation (in cross, in saltire, in chevron, etc.) then whether they are point-up or point-down is immaterial. If, however, there are two swords in the same charge group, they must both be oriented with the point either to chief or to base, to dexter or sinister, because they are identical charges.
There are two major exceptions to these categories. The first is if one charge in the category is in an orientation or posture that another charge in the same category cannot take on. For example, there are quadrupeds which are almost exclusively found as tergiant in period, such as lizards, tortoises, and frogs. If these charges appear in a charge group with another quadruped which is not found as tergiant in period (e.g., a lion) then they must either be tergiant (and thus not comparable) or in an identical posture to the other quadruped. In other words, a lion rampant and a tortoise tergiant is acceptable, but a lion rampant and a tortoise statant is not. As another example, a stag's attire is usually found straight (and thus a long, orientable charge) but is also found in annulo in period. However, a sword (a long, orientable charge) cannot be in annulo. If a stag's attire and a sword are in the same charge group, they must either be in comparable orientations, or the attire must be in annulo (effectively rendering it a compact, non-orientable charge and thus in a different category).
The second major exception is when an orientation of an animate charge is modified from the posture which is inherent to its orientation. Humanoids, sea-creatures, and most quadrupeds have postures with an inherent and immutable orientation (e.g., rampant or statant erect have the body palewise, passant and statant have the body fesswise). But some postures have orientations that are found to be flexible in period. We see, for example, eagles displayed fesswise and both tortoises and frogs tergiant fesswise. If two charges in orientation-flexible postures appear in the same charge group, they must be in the same orientation for purposes of SENA A3D2c.
West Acceptances - July LoAR
none
West Returns - July LoAR
none
August 2019 LoAR (printed October 31, 2019) (West - May 2019 LoI)
Cover Letter
From Wreath: So, About Those Tabards...
Last month, I discussed when it was appropriate for heralds to wear the badge of the College of Arms, stating that the crossed trumpets should not appear on a herald's tabard when they are speaking on behalf of a Royal or Noble; in such instances, the arms of that Noble should appear on the tabard on front, back, and sides.
This generated a substantial amount of lively discussion, wherein several members of the Society both within and without the College voiced several concerns about intent, the status of existing regalia, and whether the College of Arms was phasing out the use of the crossed trumpets entirely.
So, without further ado, some clarifications:
The purpose of the initial post was to draw a line between when a herald is acting as an officer of the Society and as a member of the College of Arms, when wearing the College's badge is appropriate, and when a herald is acting as the voice of an individual or estate, in which case the arms of that individual is appropriate. This came about because there were issues with individuals wearing the badge of office despite not being an officer of the SCA, and behaving in a manner that portrayed the College and the SCA in a less-than-positive light.
Many expressed concerns about whether existing tabards with royal arms on front and back and trumpets on the sleeves were no longer allowed to be used and had to be immediately decomissioned. This is false; existing garments and other equipment currently in use can and should remain in use until they are no longer serviceable and need to be retired. Replacements should be made in keeping with the guidelines provided. This is in keeping with precedents involving regalia that go back to the July 1984 Cover Letter.
In the initial ruling, I discussed heralds wearing the crossed trumpets on duty shifts, such as field heraldry, town cry, or consultation tables. Several kingdoms have tabards which exclusively bear the crossed trumpets for this purpose. Continued use of such tabards by heralds acting in their capacity as officers of the SCA is acceptable, and needn't be discontinued.
The use of the crossed trumpets as an officer's badge is a tradition nearly as old as the SCA itself, and the badge will not be phased out in the foreseeable future. It's a part of the shared cultural identity of the College of Arms, and is instantly recognizable by anyone in the SCA.
That said, we are an organization of history enthusiasts, and a subgroup that focuses on pageantry and regalia. There is so much information about the garmentry and accessories of heralds in period, and those heralds who research and emulate their forebearers enrich the overall appearance and pageantry of the Society. I encourage duty heralds who wish to wear the badge of their office to find ways which are appropriate to their time period and culture.
If you have further questions about use of the crossed trumpets badge, please contact your Principal Herald, or reach out to me directly.
From Wreath: Charges In Annulo
On the January 2019 LoAR, I asked for commentary on what form of charges in annulo not in their default orientation, if any, should be allowed in SCA armory. This discussion was a culmination of two years struggling to give clear and unambiguous guidance to submitters who wanted animate charges chasing one another in a circle. This is a very popular motif with submitters, despite it being ruled a step from period practice. I recognize the difficulty in finding the balance between authenticity and aesthetic, and am sensitive to the need to appease submitters.
However, successive attempts to minimize the number of animate charges one can recognizably put in annulo has led to charges whose postures are warped out of a recognizable heraldic posture; artists frequently focus so much on making a given charge appear to be an arc of an annular shape that they've lost sight of the identity of the charge as a stand-alone creature with a recognizable posture. This is in no doubt due to the rulings that I and my predecessors have made in attempts to clarify the rules and make them easier for submitters to understand. Unfortunately, the opposite has occurred.
Current precedent (most recently upheld in December 2018) states that charge groups of five or fewer charges must form an annular shape through their orientations and postures, or risk being returned. The example from December 2017 states that "Three wolves rampant, heads to center, cannot be in annulo, because their arrangement and orientation do not suggest an annulet. However, three wolves courant can be in annulo, provided their bodies curve and conform to the shape of an annulet." The December 2018 return, which featured three bears in a triangular shape, noted that "the bears are passant, with straight backs that flex inwards, and with lowered paws that rest on a straight plane. No circle is formed or even implied by their placement, so they cannot be considered "in annulo" per the above ruling."
So what do we mean by "in annulo?"
For a single charge, "in annulo" can be a posture or orientation, such as the attested postures of dragons in annulo, or the attested orientation of a stag's attire in annulo. Use of "in annulo" as a posture is limited to those charges who are attested to have used it in period, while the orientation is more flexible.
For multiple charges, "in annulo" is an attested (though rare) arrangement similar to and almost indistinguishable from "in orle," where the placement of the charges on the field forms a roughly circular shape. This arrangement is separate from their orientation, and so the shape must be formed with enough charges to establish the existence of a circle. This distinction between arrangement and orientation has been the major source of confusion, so it's important to distinguish how many charges may be arranged "in annulo."
Two charges cannot be arranged "in annulo" as their relative placement is more accurately described as "in pale," "in bend," "in fess," etc. Likewise, three charges cannot be arranged "in annulo" as their placement can be more accurately described as "one and two" or the default for three charges, "two and one." And four charges cannot be arranged "in annulo" when "in cross" or "in saltire" are more accurate descriptions.
Therefore, a charge group must have a minimum of five charges, with a preference for six or more, in order to be arranged "in annulo." Four or fewer charges will no longer be blazoned "in annulo" for submissions appearing on external letters of intent after February 1, 2020.
Separate from the arrangement of charges "in annulo" is the common but largely unattested orientation with the charge's primary axis either parallel or perpendicular to the circle the charges form. This rotational symmetry is almost entirely absent from period armorial design; when it does appear, it's seen almost exclusively with inanimate charges, e.g. a lunel (an Iberian motif formed of four or five crescents conjoined, horns to center).
Arrangements are usually orientation-neutral (in fess, in pale, in bend), but there are examples of arrangements of two long charges that include orientation by default. The classic example is "in saltire." For five charges in the charge group, the items in saltire are arranged two, one, and two, with no orientation implied. However, with two long charges in the charge group, the orientation is supplied; one is in bend sinister, with the other surmounting it in bend. "In chevron" or "in pall" likewise can be orientation-neutral for several charges, but become orientation-specific for two or three long charges, respectively.
For inanimate charges, charges "in annulo" are orientation-neutral; the five crescents above are blazoned first by arrangement (in annulo) and then by orientation (horns to center).
The problem with this model arises when submitters attempt to use the "in annulo" motif to circumvent the prohibition of animate charges inverted; that is, using "in annulo" as an orientation. Animate charges have postures, which have inherent orientations. In the October 2018 return of the joint badge for Mir Netronin and Mikael MacLeod, it was ruled, "The posture of a quadruped relies heavily on the context of the orientation of its spine. Known period examples of quadrupeds who have nonstandard orientations are almost always on bends, and always with their head oriented towards chief. Absent documentation, quadrupeds in nonstandard orientations relative to their postures will be returned."
There being no evidence of animate charges oriented in annulo, the continued allowance of this step from period practice relies on whether it causes identifiability issues. As noted in the May 2018 Cover Letter, steps from period practice that fall under SENA A2B4d "are tolerated because they're remarkably popular and function effectively as armorial elements without causing undue confusion. However, inclusion or exclusion of these charges in past rulings was far more subjective, and such elements could cease being registerable if they became problematic."
That said, moving forward we will allow animate charges oriented in annulo as a step from period practice only if the following criteria are met:
Points 2 and 3 above are important to consider together. As noted at the start of this article, charges in past submissions have been warped to form an annular shape at the expense of individual identification. This has been and will continue to be grounds for return.
Animate charges which are attested in period to be in annulo singly, such as serpents and dragons, will continue to be registerable without a step from period practice.
Other attempts to circumvent the prohibition on inverted animate charges, such as in cross four wolves statant, bellies to center, will require evidence of those charges appearing in that posture and orientation in period armory. The classic example is three rabbits courant conjoined at the ears found in the arms of Harewelle, Hasloch, and other families in period.
The new ruling will apply to all submissions appearing on external letters of intent published after February 1, 2020. Existing precedent will be applied to submissions appearing in letters published before that date.
From Wreath: Non-Tergiant Reptilian and Amphibian Quadrupeds
Last month, I issued the long-anticipated comprehensive discussion on Unity of Posture, wherein I differentiated between standard quadrupeds and those quadrupeds which are primarily found in tergiant postures, such as tortoises, frogs, and lizards. This month, we discussed two separate submissions with tortoises in non-tergiant postures, including statant and rampant.
While lizards and frogs have long enough legs that standard quadrupedal postures are recognizable, the presence of the full-body shell and short legs on a tortoise provides a more difficult problem of identifiability. There is one example of a tortoise in a non-tergiant posture in period, and it is statant, the "natural" posture one sees a tortoise in profile. As it is attested in period, we will continue to allow tortoises in statant postures.
For other standard quadrupedal postures, such as rampant, tortoises will be allowed only as long as the charge and the posture may be unambiguously identified, with the limbs extending from the shell in sufficient length to be clearly seen. However, for submissions appearing on external letters of intent published after February 1, 2020, such depictions will carry a step from period practice.
From Wreath: Tierces, Gores, and Gussets
In the March 2019 Cover Letter, we asked commenters do discuss whether there was a reason consistent with the principles of SENA to continue the long-standing ban on charged tierces, gores, and gussets. As noted in that letter, the ban dates from the February 1991 Cover Letter, when Laurel introduced the ban due to "what is becoming overwhelming support for the idea" of banning them. With no discussion on either period practice or potential presumption, there was little guidance for considering either the intent for the initial ban, or the necessary documentation to overturn the ban.
Gunnvor Orle provided several examples of uncharged tierces with complex lines of division, both on their own and with other charges directly on the field. She also provided some examples of armory which may have either been charged tierces or marshalled armory. Due to concerns about the appearance of marshalling, charged plain-line tierces will continue to be banned. However, as a complex line of division erases the appearance of marshalling for a field divided per pale, it stands to reason that a complex line of division on a tierce would also clear the appearance of marshalling for a charged tierce.
As for gores and gussets, they are similar in nature to other peripheral ordinaries that are allowed to be charged under current rules. There are no examples of charged gores and gussets, but until further documentation can be provided that supports it, we will allow charged gores and gussets as a step from period practice, along with charged complex-line tierces.
To sum up:
From Wreath: On the Use of Memes Like "Hail Hydrate"
Recently we have had a series of submissions from waterbearing enthusiasts who are also fans of Marvel Comics. These submitters have taken it upon themselves to register badges which feature references to the logo of Hydra, a villainous organization within the Marvel comic and cinematic universes about which Pelican has already had an opportunity to discuss (cf. Anthony de la Mare, House of the Silver Hydra, February 2019 LoAR). The badges frequently feature bottles, gouttes, or other water-based emblems as a visual representation of the phrase "Hail Hydrate!" currently making its way through the SCA.
The phrase itself is a reference to the Hydra cry, "Hail Hydra," itself a reference to the Nazi cheer "Heil Hitler." Since its earliest days in comics, Hydra has been a stand-in for Nazis, with a backstory involving the Nazi Party and WWII, an expressed neo-fascist philosophy, and goal of global domination. These are the unequivocal bad guys, and their chant intentionally evokes Nazi rallying cries.
As a phrase in the SCA, the phrase "Hail Hydrate!" functions less as a show of allegiance to neo-fascism and more of a pop-culture shibboleth used to remind people to drink water. Its users mean well, and are just looking to have a bit of fun.
However, several in the SCA, especially Jews, persons of color, and members of the LGBTQ+ community, have expressed concerns about large groups of people chanting ersatz Hitlerian salutes at SCA events. Apart from the issue of being obtrusively modern, the normalization of fascist symbols as "jokes" feels both tone-deaf and a flag to white supremacists that their views are welcome.
Pop-culture jokes in the SCA have a long and storied history, and no one wants to be the fun police. However, I remind the reader that every joke has a price, and one should be cognizant of whether the person is willing and able to pay it.
As for the armory submissions? Well, most of them are far enough removed from the logo avoid a return for obtrusive modernity, and any line that can be drawn around the symbols for offense will only be skirted by those who either have malicious intent or are insistent upon making their joke.
However, every joke has a shelf-life, and the "hail hydrate!" joke has about run its course. By the time your submission ends up on an LoAR, people might well be tired of it. At which point, you have a badge that you paid for, expressing a joke that is no longer funny, and which makes people uncomfortable.
If you wish to use a badge that shows you are a waterbearer, consider the use of the badge registered to the Society specifically for waterbearers, Argent, a goutte de larme within another voided within a bordure azure. It's ubiquitous, instantly recognizable, and doesn't evoke comic books and Nazis.
West Acceptances - August LoAR
Adhela of Otterdam. Name and device. Quarterly sable and argent, a tree counterchanged, in chief three fountains.Alric Ælles sunu. Name (see PENDS for device).Submitted as Adhela of Ottersdam, the only documentation for the locative byname was as the modern name of a road in the Netherlands. In commentary, ffride wlffsdotter provided evidence of Otterdam as a German place name. As no period evidence for the spelling Ottersdam could be found and the submitter allows all changes, we have changed the name to the attested Adhela of Otterdam for registration.
Alyce des Arbres. Name and device. Sable, a crow displayed, on a chief argent two crows addorsed regardant sable.The submitter requested authenticity for 6th century Saxon. This name does not meet his request. Although the name Ælle is found in the late 6th century, the first evidence of the name Alric is from the late 7th century. However, the name may be authentic for 9th century Anglo-Saxon.
Annette of Faire Monte. Reblazon of badge. (Fieldless) A thistle vert headed of a flame proper.Submitted as Alyce de la Rue de l'Arbre-Sec, Kingdom issued a correction during commentary clarifying that the submitter preferred the name Alyce des Arbres. We are pleased to register the name in that form.
There is a step from period practice for the use of the displayed posture by a bird other than an eagle.
Ashlin inghean Ui Gallchobhair. Name and device. Argent, a dragon couchant contourny purpure between three triquetras vert.Blazoned when registered in August 1979 as (Fieldless) A flame slipped and leaved with thistle leaves, all proper, this is better described as a thistle headed of a flame.
Cattuvir maccu Luga. Name.Submitted as Aislinn inghean Ui Gallchobhair, the given name Aislinn is wholly modern. We have no evidence of its use as a period name in any language. With the submitter's permission, we have changed the given name to Ashlin_, a 16th century English surname used as a given name.
Although G- is required by standard Gaelic grammar to lenite after inghean uí, Brian dorcha ua Conaill provided the necessary examples without lenition per the July 2017 Cover Letter so that we do not have to change the spelling of the byname.
This name combines an English given name and a Gaelic byname, an acceptable lingual mix under Appendix C.
Artist's note: Please draw all of the charges larger and bolder to fill the available spaces.
Cecilia Nail. Name and device. Per bend Or and gules, a squirrel rampant and a dragon counterchanged.Submitted as Cattuvir mucoi Luga, the name was not correctly constructed. The name elements are based on Ogham inscriptions, which always use the genitive (possessive) forms of the names. Only the nominative forms of names can be used as given names. It is unclear whether the nominative form of the given name was also Cattuvir or was Cattuviras. In addition, the nominative form of macoi should be maccu. Giving the submitter the benefit of the doubt as to the form of the given name, we have changed the name to Cattuvir maccu Luga for registration.
The submitter requested authenticity for 6th century Irish language and culture. As both elements were recorded on Ogham stones dated to the 6th century, this name appears to meet the submitter's request.
Christiana of Danegeld Tor. Name (see PENDS for device).Submitted as Cecilia Nailo, the surname Nailo was a mistaken transcription from the source document in the FamilySearch Historical Records. We were unable to find any other evidence supporting the form Nailo. With the submitter's permission, we have changed the name to Cecilia Nail_, using an attested 16th century English surname.
Guillermo del Norte. Name and device. Argent, a fox rampant proper maintaining a lute bendwise sinister purpure, a bordure sable. Ívarr Eiríksson. Name.Danegeld Tor is the registered name of an SCA branch.
Ottilie Huber. Name and device. Azure, an open book argent, on a chief embattled Or three roses proper.Nice 9th-10th century Icelandic name!
Waleric von Bredereke and Catriona Morgan. Joint badge. Per pale gules and argent, a sword inverted sable between two lions rampant addorsed counterchanged, a bordure raguly sable.Nice German name from the late 13th century onwards! In fact, this precise name is found in the FamilySearch Historical Records in a christening record from Basel, Switzerland in 1548.
Artist's note: Please make the raguly crenellations deeper, about as deep as they are wide.
West Returns - August LoAR
none
West Pends - August LoAR
Alric Ælles sunu. Device. Vert, a goat's head erased between flaunches argent, upon each a compass star vert.Christiana of Danegeld Tor. Device. Per chevron purpure and gules, a chevron between a sun and three hearts Or.This device is pended for redraw due to the use of mullets elongated palewise. In the October 2013 Cover Letter, it was ruled:
"We had two submissions this month that featured a mullet elongated palewise. We have no evidence that such artistic treatment of a mullet was ever done in period armory at all, and we grant no difference between a mullet and a mullet elongated palewise.
However, we do have period evidence of mullets elongated to base (i.e., only the base ray is stretched out), but those appear to be a variant of a comet, not normal mullet. An example of such a comet can be seen in the 16th century Italian armorial Insignia Nobilium Patavinorum, BSB Cod.icon. 275, on f.65r (found at http://daten.digitale-sammlungen.de/~db/bsb00001422/image_137).
Therefore, as we would like to avoid confusion between comets and mullets, mullets elongated pale wise will no longer be registerable after the April 2014 decision meetings.
There is a step from period practice for the use of the compass stars.
This was item 3 on the West letter of May 31, 2019.
This device is pended for redraw due to the chevron being too low. Wreath staff has redrawn the artwork and sent it to the submitter for approval.
This was item 7 on the West letter of May 31, 2019.
In Service,
Edith of Swanesdale, PaL,
Matins Herald
SUBMISSONS – November (2019)
ITEMS SENT TO LAURELThe submitter has previously gone by the unregistered name: Kalida Rudyrt.
The submitter cares about the sound (none noted), language and/or culture (none noted), and gender (don't care) of the name. Note: on the from, the submitter marked under gender both 'female' and 'don't care', she has clarified her preference is 'don't care'.
Akilina - from NCS [Wickenden]: Akilina (f) 1612 [https://heraldry.sca.org/names/paul/a.html].
Lukasovna - from NCS [Wickenden]: Lukas (m) Lukas 1564,formed to the patronymic "[...] Otherwise, the patronymic ended in an "-ov" or "-ev." The basic rule is that an "o" occured after a hard consonant. [...] "In most cases, women used the same types of patronymics as men. However, their bynames had to agree with the gender of the subject, which, in Russian, means that they had to add an "a" on the end".
Lukas+ov+a → Lukasova
The Russian name formation <given + patronymic> is acceptable per SENA Appendix A.
Please review the formation of 'Lukasova' vs. 'Lukasovna':
These forms occur in the grey period, but may be allowable:
Modern Russian employs a different and more familiar feminine patronymic (i.e., -ovna/-evna) in place of the ones discussed above. This fourth form is rare in medieval times, but is found in the examples of Marfa Ivanovna (1618) [RIB II 357] and Princess Evdokeia Luk'ianovna (1643).
The submitter will NOT accept ANY changes to the name, and cares about the spelling (none noted), language and/or culture (none noted), and gender (female) of the name.
The submitter will NOT accept the creation of a holding name (no device submitted).
Submitted as 'Álfrún Signesdottir'. The submitter, when asked about the use of accents and diacritics across the entire name, was pleased to agree to the change from '-dottir' to '-dóttir', as per matronymic name formation from Bassi, p.18.
Álfrún - the given name is constructed in accordance with SENA PN1.B2b2:
Constructed Dithemetic Given Names:
Álf - Álfheidr, [Lind] col. 13-14; Álfdís, [Lind] col. 11-12; Álfhildr, [Lind] col. 14
-rún - Dagrún, [Lind] col. 195; Guðrún, [Lind] col. 389; Sigrún [Lind] col. 887-888
Signesdóttir - given the variation in late medieval Swedish spellings, 'Signesdóttir' is a plausable late-period Swedish matronymic:
Signe- from: Signe Brynulfsd, [Lind] col. 884; Signe Sonadottir, Anthroponymica Suecana, p77.
Genitive in Late Old Swedish is formed by appending +s: Anwndh Signæsson, SDHK-nr: 11291; [...] Signæsson, Anthroponymica Suecana, p77; [...] Sighneson, Anthroponymica Suecana, p77.
The Scandinavian name formation <given + matronymic> is found in Bassi, p. 18.
The submitter will NOT accept MAJOR changes and cares about the meaning (byname means cat) and gender (female) of the name.
Caterina - from NCS 'Italian Renaissance Women's Names', by Rhian Lyth of Blackmoor Vale (Jo Lori Drake): 'Caterina' [http://heraldry.sca.org/names/italian.html].
La Chate - from NCS 'DRAFT: Bynames in Medieval France' by Sara L. Uckelman: pg. 51 under the header 'Chat':
"Chat desc. 'the cat'. Le Cate 1248 Picardy, le Chat 1292 Paris, dictus Le Cat 1295 Picardy, Le Cat 1295, 13th C, 1384, 1443 Picardy, Le Kat 1302 Picardy, Le Chat 1306, 1309, 1320, 1340?41, 1384 Picardy, 1423 Paris, Chat 1339 -- 40 Périgueux, Lecat 1470x1520 Bordeaux, La Chate 1340?41 Picardy." [http://www.ellipsis.cx/~liana/names/french/frenchbynames.pdf]
The French name formation <given + byname>l is found in SENA, Appendix A. Italian and French are an acceptable regional mix as per SENA Appendix C.
Gules, a New World pineapple Or, leaved vert, on a chief Or three goblets vert.
The submitter cares about the meaning (Norse) and the gender (male) of the name.
Draven - submitter's legal given name, acceptable as per SENA PN1.B.2.e 'Legal Name Allowance', as documented with a birth certificate.
Ulfsson - - from NCS Geir Bassi "Úlfr" pg. 15, formed to "Úlfsson" per Geir Bassi pg. 17 drop the `-r', add `-s' +'-son'.
The Scandinavian name formation <given + patronymic byname> is acceptable per SENA Appendix A. In line with current precedent, the submitter is omitting all accents and diacritic marks.
Device:
Sable, a wolf's head erased argent, on a chief Or three dunghill cocks gules.
The submitter cares about the meaning (Ash as in the tree, Borne as in the water feat(ure)) and the gender (female) of the name.
Elena - from NCS Withycombe, p. 148, under the header <Helen/a> states that the name was in use in England, as <Elena>, soon after the Norman Conquest.
Submitter's legal name, acceptable as per SENA PN1.B.2.e 'Legal Name Allowance', as attested by Eridana, Dolphin, Caid, and Godfrey Spellman of Hexham, Moucheture, Caid, after viewing her CA Driver's License and Kean de Lacy, Bratchet, West.
of Ashborne - from NCS Ekwall locative: 'Ashbourne'.
Ash: examples in Reaney & Wilson, p. 15-16, of locative surnames incorporating <Ash-> include various spellings of <Ash>: Thomas de Asshebury 1349, John de Ascheburn 1349, Henry Assheburn 1469, and many others. It seems more often to have been spelled <Asshe-> in our period, but there are three that are <Ash->: William Ashbee 1633, Robert de Ashley 1281, and John de Ashtone 1323.
Bourne: Reaney & Wilson, p. 56, under the header <Bourne>, meaning stream: Richard atte Bourne 1327.
John de Ascheburn and Henry Assheburn are variant spellings of the locative byname <Ashbourne>.
The English name formation <given + locative byname> is found in SENA Appendix A.
Device:
Vert, in pale a tree blasted argent issuant from a fountain proper.
Per pall inverted azure, vert, and Or, in pale a dog couchant argent and a quatrefoil knot sable.
The submitter does not care about the gender of the name and marked no other boxes.
Jeffery - NCS FamilySearch, acceptable batches, has multiple listings of <Jeffery> dated between 1560 and 1650:
C-batch: Jeffery Calowe, 1567, C02291-1 [https://www.familysearch.org/ark:/61903/1:1:NL2W-QBF]
P-batch: Jeffery Androes, 1591, P00269-1: [https://www.familysearch.org/ark:/61903/1:1:NPT3-94W]
P-batch: Jeffery Alsope, 1594, P01510-1: [https://www.familysearch.org/ark:/61903/1:1:J3VH-CPF]
Whitehart - from NCS [R&W or Reaney and Wilson] p. 488 under the heading `Whittard, Whitehart, ?': `Whitehart' dated 1185.
NCS FamilySearch, acceptable batches, has multiple listings of <Whitehart> dated between 1590 and 1650:
P-batch: Margaret Whitehart, P00139-1 [https://www.familysearch.org/ark:/61903/1:1:NPL3-FP2]
P-batch: Samuel Whitehart, P00139-1 [https://www.familysearch.org/ark:/61903/1:1:J38F-S91]
P-batch: Ellen Whitehart 1593, P00139-1 [https://www.familysearch.org/ark:/61903/1:1:NY14-T2Z]
Those 3 are almost certainly all the children of the same William Whitehart.
But also: C-batch: John Whitehart 1605, C01691-7 [https://www.familysearch.org/ark:/61903/1:1:J9XK-2XB]
P-batch: William Whitehart 1610, P01847-1 [https://www.familysearch.org/ark:/61903/1:1:JQ1N-M9Z]
P-batch: Robert Whitehart 1611, P01439-1 [https://www.familysearch.org/ark:/61903/1:1:N264-DRD]
The English name formation <given + byname> is found in SENA Appendix A.
Device:
Argent, in saltire an axe and an arrow inverted, on a chief sable 3 apples slipped and leaved Or.
The submitter cares about the sound (none noted) and the gender (female) of the name.
Lyra - from the 'Lexicon of Greek Personal Names' Αυρα = 'Lyra' [http://clas-lgpn2.classics.ox.ac.uk/cgi-bin/lgpn_search.cgi].
of the Mists - per the Branch Name Allowance, SENA PN.1.B.2.f and 'Principality of the Mists' registered May 1980, West.
The name formation <given + SCA placename> is acceptable per SENA PN.1.B.2.f.
Device:
Azure estencelly, an otter statant and a base wavy argent.
Purpure, a mouse rampant and in canton a crescent argent.
The submitter cares about the sound (none noted) and gender (female) of the name.
Persephone - from the January 2009 registration of 'Persephone Hume of Paislie':
While no examples were provided of the Greek literary name Persephone being used in England during our period, the use of the name follows the pattern of fanciful Greek and Latin origin names which were used in England during the 12th and 13th C. This pattern is discussed in Withycombe, Oxford Dictionary of English Christian Names, p. xxvii, where she says:
[I]n the late 12th century and early 13th century there were probably more christian names in use than at any subsequent period until the 20th century. Some of the Old English names were still in use, there was the rich Norman stock with a sprinkling of Breton, in addition to the newly adopted saints' names which were drawn from Hebrew, Greek, Latin, and other tongues. But even this wealth of material seems not to have satisfied the eclectic taste of the period, and the oddest names are to be met with in late-12th-century records, e.g., Aliena, Antigone, Camilla, Cassandra, Celestria, Extranea, Grecia, Hodierna, Idonea, Ismenia, Juvenal, Italia, Lavina, Leda, Melodia, Norma, Oriolda, Paris, Pavia, Pharamus, Splendor.
Other examples can be found in Reaney & Wilson, A Dictionary of English Surnames, on pp. xl-xli: Admiranda 1231-2, Amicabilis 1232-3, Argentina 1204, Bonajoia 1319, Caesaria 12th C, Clariandra 1248, Damisona a1290, Desiderata 1385, Diamanda 1221, Diana 1256, Eglentina 1213, Epicelena 1208, Estrangia 1202-3, Felicia 1208, Finepopla 1203, Fousafia 1218, Imagantia 1219, Ynstauncia 1327, Jolecia 1219, Olimpias 1207, Orabilia 1221, Philomena 1202, Plesantia 1274, Popelina 1212, Preciosa 1203, Primaveira 1226, Prudencia 1210, Splendora 1213, Topacia 1243. Of particular relevance to the current submission are the names Antigone, Cassandra, Leda, Paris, and Olimpias, which are all found in Greek mythology. As Persephone is also a character of Greek mythology, it is plausible to assume that she was known to medieval England through the same sources.
And from the documentation for 'Persephone Maniglia', registered in the December 2016 LoAR:
Persephone is the name of a Greek goddess. In January 2009, Persephone was ruled to follow the 12th and 13th century English pattern of creating "fanciful Greek and Latin origin names." [Persephone Hume of Paislie, 1/2009 LoAR, A-Middle]. This ruling was the basis for the registration of Persephone again in February 2013. [Persephone Odymsy, 2/2013 LoAR, A-Calontir]. Recent data has confirmed the usage of Greek goddess names by English women in period, including the following entries from the IGI/Family Search records: Phoebe Defraine 20 Jul 1574 Toddington, Bedford, England, batch P00391-1 Dione Bowdon 20 Oct 1576 Horsington, Lincoln, England, batch C02943-3 Clymene Pinder 19 Jan 1622 South Creake, Norfolk, England, batch C04142-1 Selene Neale 04 Aug 1583 Bideford, Devon, England, batch C05032-1 Maia Newberye 08 Dec 1616 Aldermaston, Berkshire, England, batch C15515-1 Thalia Smith 25 Mar 1609 Pillerton Priors, Warwick, England, batch C04376-
Whitehart - from NCS [R&W or Reaney and Wilson] p. 488 under the heading `Whittard, Whitehart, ...': `Whitehart' dated 1185.
NCS FamilySearch, acceptable batches, has multiple listings of <Whitehart> dated between 1590 and 1650:
P-batch: Margaret Whitehart, P00139-1 [https://www.familysearch.org/ark:/61903/1:1:NPL3-FP2]
P-batch: Samuel Whitehart, P00139-1 [https://www.familysearch.org/ark:/61903/1:1:J38F-S91]
P-batch: Ellen Whitehart 1593, P00139-1 [https://www.familysearch.org/ark:/61903/1:1:NY14-T2Z]
Those 3 are almost certainly all the children of the same William Whitehart.
But also: C-batch: John Whitehart 1605, C01691-7 [https://www.familysearch.org/ark:/61903/1:1:J9XK-2XB]
P-batch: William Whitehart 1610, P01847-1 [https://www.familysearch.org/ark:/61903/1:1:JQ1N-M9Z]
P-batch: Robert Whitehart 1611, P01439-1 [https://www.familysearch.org/ark:/61903/1:1:N264-DRD]
The English name formation <given + byname> is found in SENA Appendix A.
The submitter cares about the sound (none noted) and the gender (male) of the name.
Phoenix - submitter's legal middle name, acceptable as per SENA PN1.B.2.e 'Legal Name Allowance', as documented with a birth certificate.
Dragoslav - from NCS 'Paul Goldschmidt's Dictionary of Period Russian Names - Section D', by Paul Goldschmidt
Dragoslav (m) -- "precious glory."
Dragoslav. 1222. [Mor 78]
Vars: Dragosav. 1289. [Mor 78]
Dragozlaus. 1256. [Mor 78]
Draslav. 1193. [Mor 78]
Drazlav. 1193. [Mor 78]
Pat Vars: Dragoslalik (Khegen' Dragoslalik). 1378. [Mor 200]'
[http://heraldry.sca.org/names/paul/d.html].
from 'Serbian Orthodox Diocese of Raska and Prizren, Church of the Holy Virgin Odigitria' "The endowment of the main accountant Jovan Dragoslav and his family is located above the village of Musutiste, 10 km south-east of Suva Reka. It was built in 1315..." [http://www.kosovo.net/odigitria.html].
from Revolvy: Jordan Dragoslav "Dragoslav (Serbian Cyrillic: Драослав ) or Jovan Dragoslav (Јован Драослав fl. 1290?1315) was a Serbian nobleman with the titles of kaznac, and then veliki kaznac, serving King Stefan Milutin (r. 1282?1321)." [https://www.revolvy.com/page/Jovan-Dragoslav?cr=1].
from PeoplePill.com: TEODORA OF BULGARIA, QUEEN OF SERBIA "Other believe she lived longer, possibly marrying Jovan Dragoslav between 1322 and 1326." [https://peoplepill.com/people/theodora-smilets-of-bulgaria/?pagespeed=noscript].
The Russian name formation <given + patronymic> is acceptable per 'A Dictionary of Period Russian Names', by Paul Wickenden of Thanet, listed as an acceptable source for name construction in SENA Appendix A.
The submitter notes that the documentation for 'Dragoslav' as a byname is Serbian, not Russian.
If 'Phoenix Dragoslav' is not found acceptable, he will accept 'Dragoslav Phoenix' see OSCAR recent registration: Elizabeth Phoenix.
Phoenix is an English surname found in the IGI Parish Records Extracts:
Richard Phoenix Male Christening 20 Dec 1607 Saint Edmunds, Salisbury, Wiltshire, England Batch: C15349-1.
Brigett Phoenix Female Christening 03 Sep 1609 Saint Dunstan, Stepney, London, England Batch: C05576-5.
In addition, Elizabeth Phenix appears in a marriage record dated to 16 May 1594 in Allhallows London Wall, London, London, England (Batch: M00085-1).
Device:
Quarterly azure and Or, a skull counter-changed.
The submitter cares about the meaning (none noted) and gender (female) of the name.
Roisin - from NCS Academy of St. Gabriel report #1105, published July 1998: 12th century Gaelic women's name: Ro/isi/n \ROW-sheen\ [http://www.panix.com/~gabriel/public-bin/showfinal.cgi?1105+0].
- from NCS Academy of St. Gabriel report #2048, published May 2000: "<Ro/isi/n> is a late-period Gaelic feminine name; we recommend it only in the 16th century and perhaps a bit earlier [2]. *** But see report 2704 for a revised opinion *** " [http://www.panix.com/~gabriel/public-bin/showfinal.cgi?2048+0].
Corby - Corby: Reaney & Wilson, p. 109, under the header <Corbey, Corby> lists John Corby 1448-9.
The English name formation <given + byname> is found in SENA, Appendix A. Per SENA Appendix C, English and Gaelic are compatible.
The West College notes:
From the College of St. Gabriel report # 2704, published Mar. 2003: "<Ro/isi/n> is a modern name, a diminutive form of <Ro/is>. (The slash represents an acute accent mark on the preceding letter.) The root name <Ro/is> was used in Ulster in the 16th century, but we have found no evidence that the diminutive form was used before modern times [1, 2, 3]. We recommend you choose a different name. You can find some lists of 16th century Irish Gaelic names in our Medieval Names Archive, specifically in the article that is our reference [2]."
Further, 'Róisín' was determined to be inelligible for registration, as it is a modern diminutive of 'Róis', but this Precedent was made on the July 2007 LoAR [http://heraldry.sca.org/loar/2007/04/07-04lar.html]. Based on the amount of name research and publication that has occured in the over ten years since this decision, and the changes in rules within the SCA College of Arms, the West College submits this name for review.
From SENA PN1.B2B1: Diminutives Constructed from Given Names: "In many languages, diminutive forms can be made from existing given names, often by adding endings or removing part of the name (and even both)."
<Rois> is dated to the 16th century, according to 'Dated Names Found in Ó Corráin & Maguire's Irish Names' by Mari Elspeth nic Bryan (Kathleen M. O'Brien) [http://medievalscotland.org/kmo/ocm/].
The West College was not able to comment on the formation of diminutive names in Gaelic in period and requests commentary.
[http://www.panix.com/~gabriel/public-bin/showfinal.cgi?2704+0]
Device:
Per pale purpure and sable, on a sun Or a raven sable, in base a rose per pale argent and Or.
The submitter will be advised to remove the line down the center of the sun.
The submitter cares about the sound (first name) and the gender (male) of the name.
Sean - submitter's legal given name, acceptable as per SENA PN1.B.2.e 'Legal Name Allowance', as documented with a passport.
O'Farrel - from NCS 'Names Found in Anglicized Irish Documents: Men's Names', by Mari ingen Briain meic Donnchada (Kathleen M. O'Brien) including: Farrel d.1518, William O'Farrall d.1600, Farrall d.1602, Farrell d.1598, O'Ferrall d.1602, Farroll d.1600, O'Farroll d.1598.
Note that the spellings with "O'" are listed under the "Typical Form" <Irriell> in the cited document. [http://medievalscotland.org/kmo/AnglicizedIrish/Masculine.shtml]
With the wide variety of spellings, the West College submits that 'O'Farrel' is a reasonable extrapolation.
The Irish name formation <given + byname> is acceptable per SENA Appendix A.
This submitter's mundane name is 'Sean Farrell': As per the Administrative Handbook, re: 'Name Used by the Submitter Outside the Society': A small change in the name is sufficient for registration, such as the addition of a syllable or a spelling change that changes the pronunciation. [https://heraldry.sca.org/admin.html#III.A]
Therefore, the addition of extra syllable provided by O', the submitter's SCA name should be sufficiently different from his mundane name.
The English name formation <given + byname> is acceptable per SENA Appendix A. Middle and Modern English are part of the same language group as Anglicized Irish per SENA Appendix C.
Device:
Or, a wolf courant to sinister within an orle gules.
Note: the submitter has requested a change (tincture of the orle) from the original submission to avoid a possible visual conflict with John Kane of Kent, device registered March 2002 via An Tir: Or, a domestic cat courant contourny within an orle sable.
The submitter's previous device: Lozengy argent and pean, a bat-winged horse, tusked as a boar, rampant to sinister, wings elevated and addorsed, gules, is to be released upon registration.
Sable, on a pile engrailed argent, between two estoilles Or, a sea dragon erect purpure.
The submitter cares about the sound (none noted) and the gender (female) of the name.
Sibyl - from NCS Withycombe, pp. 267-268: Sybill - 1455; Sybyly - 15th C.
the Disobedient - Oxford English Dictionary, p. 472 of the Compact edition: <dishobedient>l 1535 and <disobedientest> 1549, <disobedients> 1548, and others.
The English name formation <given + descriptive byname> is found in SENA, Appendix A.
Device
Argent, a coney sejant erect to sinister azure.
This submission is a complete rework to the original submission, which was returned at Kingdom for conflict.
Per bend sinister vert and azure, a stag's head erased to sinister argent attired Or and a wolf's head erased argent.
The previously registered 'Camber Eben' is to be retained as an Alternate Name upon registration.
The submitter will NOT accept MAJOR changes, and cares about the sound (none noted), language and/or culture (none noted), and gender (male) of the name.
Taninaka - constructed surname meaning 'valley of gems' from NCS 'Name Construction in Medeival Japan', by Solveig Throndardottir [NCMJ] 2nd Edition: <Tani->: p.145, meaning "valley" and <-naka>: p.270 meaning "gem". Name construction: pp 4-5. Surnames are formed by agglutinating two kanji or kanji combinations.
no - from NCS [NCMJ] 2nd edition, p 6, means "of".
Kamatari - from NCS [NCMJ], a nanori: Nanori are most often composed of two kanji. Kama-: NCMJ 2nd edition p. 279, "scythe" <Kamatari> -tari: NCMJ 2nd edition p. 174, "scythe <Kamatari>.
The Japanese name formation <surname + no + nanori< is found in NCS [NCMJ].
Regarding 'Kamatari': Astrið's review of these kanji in NCMJ leads her to think the combination of kanji used to form <Taninaka> would more likely be formed as <Nakatani> per Solveig's discussion of name formation, but <Taninaka> should be registrable.
The submitter will NOT accept MAJOR changes and cares about the spelling (as close to 'Zvezda' or 'Zvezdova', do not want 'Zvezdina'), language and/or culture (none noted), and gender (female) of the name.
Zvezda - from NCS 'Paul Goldschmidt's Dictionary of Period Russian Names - Section Z' by Paul Goldschmidt: Zvezda (m) -- "star."
Vars: Zvestecz. 1158. [Mor 89]
Pats: Zvezdin (Nissha Zvezdin). 1442. [Mor 139]
[http://heraldry.sca.org/names/paul/z.html].
from 'Gender Across Languages, Volume 4' by Marlis Hellinger & Heiko Motschenbacher: "zvezda can easily refer to a woman or a man" [https://books.google.com/books?id=Z1uXBwAAQBAJ].
Dar'ia - from NCS Wickenden: Dar'ia (f) -- "strong, conquering." Fem of Darii
Dar'ia, tsaritsa. First half of 16th Century. [Nik X 153]
Dims: Dar'itsa. 1615. [RIB XIV 621]
Vars: Daria. 1566. [RIB XIV 74]
Dariia (martyr). 3rd Century. [Buk 158]
Met Vars: Dar'evskoi (Kot Davydov syn Dar'evskogo, landowner). 1516. [Tup 24]
[http://heraldry.sca.org/names/paul/d.html]
doch' - usage of this element is described by Wickenden on the web page titled 'Feminine Patronymics' [http://heraldry.sca.org/names/paul/zgrammar.html].
Bragina - from NCS Wickenden: Braga (m) -- "beer."
Gridko Braga, peasant. 1510. [Tup 63]
Dims: Brashko (Ivanko Brashko, peasant of the Pazherevitsk parish). 1539. [Tup 63]
Brazhnik (Brazhnik Ondreev syn Dirin, boiar trustee). 1571. [Tup 63]
Pats: Bragin (Danilo Fomin syn Bragin). 1563. [RIB XIV 65]
Pats (f): Bragina (Orina Nikiforova doch' Danilova zhena Bragina). 1563. [RIB XIV 65]
[http://heraldry.sca.org/names/paul/bl.html]
The Russian name formation is in accordance with SENA Appendix A <given+mat doch'+pat>; a pattern specifically noted in Wickenden. Surnames could be added on as a third element, as testified by the example of Katerina, Karpova doch' Korotkova (1609) [RIB XIV 591] and Marina Grigor'eva doch' Iarygina (1568).
Based on a review by the heralds of the West Kingdom College of Heralds: The book "Gender Across Languages", cited by the submitter does not state that <Zvezda> was used as both a masculine and a feminine name. Rather, it states that the noun "zvezda", meaning "star", can be applied as a descriptor to either a male or a female person - for instance, if you were explaining that a person was a "pop star" or "popzvezda". The text appears to be discussing modern usage, although not enough of it is provided to be certain. The text also adds that the stem will usually be given a masculine or feminine ending, so that the "grammatical, lexical, and referential gender" coincide.
According to Wickenden, there were many ways of constructing patronymics, including putting the patronymic first, followed by the given name. However, it appears from Wickenden's examples that <doch'> belongs with <Dar'ia>, so this is actually combination of a matronymic: Zvezda, daughter of Dar'ia, with a patronymic: daughter of Bragin.
Per SENA, Appendix A, matronymics are registerable for Russian names, as are multiple patronymics. In this case, we have multiple "-nymics" but one is a "matro-" and one is "patro-".
<Zvezdova> is a patronymic form of <Zvezda>, not a given name, and so is not a viable alternative for a feminine given name.
Device:
Per chevron purpure and argent, a compass star Or and a wolf sejant sable.
RETURNS
Argent goutty de poix, in base a pomegranate gules seeded Or, two flaunches sable.
The submitter is working with a consulting herald to rework her device for resubmission.
The submitter cares about the gender (female) of the name. [Note: I am fairly certain this was a mistake, as this household submitted two sets of items. I have reached out to the submitter for clarification.]
Duncan - from NCS Academy of St. Gabriel reports #1105, #1619, #1937.
bek - from NCS Academy of St. Gabriel report #2174.
- from 'OxfordReference, A Dictionary of British Place Names' (could not directly access, the submitter provided a quote, see Docs, but this website is behind a subscription): ...Bec & Tooting Graveney Gtr. London. Totinge 672-4, Totinges 1068 (db), Totinge de Bek 1255, Thoting Gravenel 1272. Possibly '(settlement of) the family or followers of a man called T(o?)ta', from OE pers. name + -ingas. Alternatively 'people of the look-out place', from OE *t(o?)t + -ingas. Distinguishing affixes from early possession by the Norma Abbey of Bec-Hellouin and by the ..." [https://www.oxfordreference.com/view/10.1093/acref/9780199609086.001.0001/acref-9780199609086-e-13132?rskey=GF9yh7&result=13301].
Angus - from NCS Academy of St. Gabriel reports #1005, #1290.
MacDrake - from 'Drake' found in NCS Academy of St. Gabriel reports #2472, #2215.
The (language group) name formation <given + ??> is found in ??.
This name is Returned for further work: The West Kingdom College of Heralds was not able to determine what documentable name formation the submitter is attempting to use, the name phrase 'bek' is not documented in the citations provided and is not clear as to its meaning or purpose in the name, and the phrase 'MacDrake' could not be documented by the College. Typically, the West College does not return names for lack of documentation, but there were so many questions on this name that it is being returned.
The West College notes that the names 'Duncan Angus Drake' (English) and 'Duncan MacAngus' appear to be available for registration at this time, and can be documented by the West College.
The West Kingdom College of Heralds suggests this submitter reach out to the College or a herald for further assistance prior to resubmitting.
Device:
Sable, two chevronels inverted and in chief a drake Or.
As this submitter does not have a registered name, and his submitted name is being returned, the device registration cannot proceed at this time. The West College did research the device, found it to be of lovely heraldic design, and found no current conflicts that would result in a return.
Sable, and apple tree argent fructed of apples and between three apples Or.
A conflict for this device was found: under 'Tree rounded shape': Eoan Johnston (registered Feb. 2007 via Meridies): Sable, a cypress tree eradicated argent. There is one DC for the addition of the three apples, but two are required to clear conflict.
An additional note from the West Kingdom College of Heralds: this may bring too much attention to the combination of 'Persephone', as in some versions of her myth she uses apples and apple seeds. The two in combination may be considered to be a claim to be the goddess Persephone. Please keep in mind that the West College does not make these decisions, which is why we point out that this may be an issue. If this were the only concern on the device, it would be sent on to the SCA College of Arms for consideration and comment.
Argent, three flames gules each charged with a hen Or.
Administrative Return: this armory submission was sent in on a Device form and marked 'New'. The submitter already has a device registered. She confirmed she wants this to be a Badge submission. An updated form was requested and not received.
Further notes: the flames need the floating/detached bits removed and it is also suggested that the chickens be lowered slightly to fit completely on the flames.
The West College suggests: (Fieldless) On a flame gules a hen Or would make a spectacular badge, and this appears to be clear of conflict at this time.
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